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Borrowed Dreams (Scottish Dream Trilogy Book 1), by May McGoldrick
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From the National Best Selling Author
The first Book In a New Trilogy (Scottish Dream Trilogy)
Winner of the Holt Medallion for Best Historical Romance
THE PROPOSAL
Driven to undo the evil wrought by her dead husband, Millicent Wentworth must find a way to save her estate and free the innocent people he enslaves. Her only hope is a marriage—in name only—to the notorious widower the Earl of Aytoun.
THE GROOM
Devastated by the tragic accident that killed his wife and left him gravely wounded, Lyon Pennington, fourth Earl of Aytoun, is tormented by the accusations that blame him for the catastrophe. Filled with despair, he lets his mother lure him into a marriage of convenience—for the sake of a good-hearted woman on the verge of financial ruin.
THE DESIRE
Under Millicent’s gentle gaze, Lyon begins to regain his strength and his wounded heart begins to heal. And soon Millicent discovers that beneath his unruly beard and grim demeanor, Lyon just may be the most handsome—and caring—man she’s ever encountered. For the first time in her life, she realizes that she is alive—alive with a smoldering desire for the one man she’ll love forever…
Winner of Holt Medallion for Best Historical Romance
Winner of Romantic Times Award for Best British-Set Historical Romance
***** This is a tender story that offers a fresh and unusual twist on the Beauty and the Beast fable that holds a dear place in many a heart. A KEEPER!
- Sales Rank: #121352 in eBooks
- Published on: 2013-12-01
- Released on: 2013-12-01
- Format: Kindle eBook
Most helpful customer reviews
225 of 253 people found the following review helpful.
Did I read the same book as the others here?
By Susan Smith
Total rubbish. I admit to a DNF and let me give you just a few examples from the opening chapters to explain why:
1 - The author(s) haven't any feel for the geographical setting of this book which revolves around slavery. For a start, although slaves could be brought into Britain in 1772, they could not be bought or sold; they could be brought into the country only as personal servants - indeed, admittedly there was a fashion to have young black pages but many of them were not slaves but were servants and freemen. Also, in 1772 (the year in which the book opens with a slave auction) the Lord Chief Justice, Lord Mansfield, made a ruling under common law that "the condition of slavery did not exist under English law in England". Therefore, much of the premise of the book is quite inaccurate and to me, therefore, unacceptable. I could see that in Jamaica the heroine's late husband could be a nasty man but I can't believe he could have got away with holding slaves and mistreating them in England itself.
2 - Titles. A personal hobby horse but please note that a wife of "Squire Jones" is not Lady Jones; squire itself is not a "title" of any sort - it merely refers to an owner of a substantial property for farming purposes in the countryside. The hero's mother, a dowager countess, is introduced in the first chapter as "Lady Archibald Pennington, Countess of Aytoun. Her given name is Beatrice". I haven't the first clue what the authors were doing here but it is completely wrong. As I and others have noted in reviews, why get things 100% wrong when 5 minutes looking at the internet would put you right? Do authors actually prefer making a mess of this sort of thing? Why write about titled people in a country you apparently know little about and thus make a complete bodge of it? I just don't get it.
3 - Attempts at dialect/accent. Having all characters not of the gentry/aristocracy continually use "ye" in conversation is silly beyond words since the authors have both Scots and English servants do it when their accents and dialects would have huge differences.
4 - The solicitors (not lawyers in England) are "Sirs". Baronets or knights? Really? In the 18th century solicitors or barristers were generally middle class (sometimes younger sons of the lesser aristocracy) and untitled (so not baronets) and certainly not knighted for their profession. It does not take much research to establish that.
5 - Field hands. Maybe on slave plantations in America but in England those who work in the fields are called farm workers, estate workers, cowmen, ploughmen, shepherds, or labourers but not field hands. Also, trying to make an English country estate akin to a plantation in Georgia is so irritating that I could not take it any longer and so began to contemplate a DNF.
6 - The drugged hero. He has family who love him but they seemed to have no compunction in drugging him into a continual stupor. I am afraid I just did not care enough by the 5th chapter to pursue this any further.
Finally, OK - I admit I could not persist in this. The writing style is grating (perhaps because there is more than one hand in it) and the attention to period and historical detail was not at all high quality. As much as I dislike giving a bad review, I hope I've given enough detail above to show why I could not get interested enough to read this.
42 of 46 people found the following review helpful.
An extrodinary historical romance...
By cmiller
Five years ago, after her husband was killed, Millicent Wentworth went about trying to right all the wrongs her husband commited. Millicent knew from experience exactly what the slaves had to endure at the hands of her brutal husband. Given into marriage by her uncle who only wanted to get rid of her, Millicent was more than relieved to become a widow. Then her husband's creditor, Jasper Hyde, started calling in her debts. When the dowager countess of Aytuon requests that she marry her son in return for all her debts to be paid, Millicent's refuses, for she knows she can never endure being a man's possession again. When the dowager talks her into it, Millicent has no idea how much her husband will come to mean to her, or how wrong for him she is.
Lyon Pennington, Earl of Aytuon didn't care one way or another if he was married. Crippled on the night that his wife fell off a cliff, Lyon took refuge in the medicine that the doctors insisted he take. When taken to Melbury Hall, he soon is brought out of his drug induced stupor by the woman he doesn't recall, but knew he married.
I would give this book six stars if I could. Millicent is one of my favorite historical heroines. With her courage and compassion, Millicent saved many lives, include Lyon's. Even after getting through five hellish years of marriage and almost dying, Millicent still has good in her heart. McGoldrick brings the reader two people who help each other come to terms with their pasts and heal their hearts, all while falling in love. The secondary characters in this book are unforgettable. The whole storyline was great, not like most historicals where the most pressing issue is what is fasionable to wear.
Don't miss it!
20 of 22 people found the following review helpful.
A not so historical Historical Romance
By Lance D
This is a cute story about values, people who uphold values, and how people can change. The Heroine has so much depth to her at the beginning, that she doesn't develop very much. However, it seems like she devolves, more than evolves, in this story line, as she gets used to her new husband. For a woman who wanted things so steadfastly in her way once her first husband died, she really caves in when her new husband begins to make real demands that don't include drugs. The Hero evolves more than she does. He at least goes from surly and demanding to just outright demanding.
Oh, and I won't get started on the inaccuracies of the time period. I just won't.
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