Sabtu, 29 Desember 2012

[O773.Ebook] Ebook Download Alasdair MacIntyre, George Lindbeck, and the Nature of Tradition, by David Trenery

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Alasdair MacIntyre, George Lindbeck, and the Nature of Tradition, by David Trenery

What should we believe, and why should we believe it? This book addresses these questions through a critical exposition of the work of the contemporary philosopher Alasdair MacIntyre and of the theologian George Lindbeck, the father of postliberal theology. The book argues that MacIntyre's philosophical development can be seen as a response to the question of how belief in a comprehensive metaphysical system can be justified. Such a system provides its believers with an account of the nature of the universe and human nature, and a basis for their ethical reasoning and action. The book draws on Lindbeck's cultural-linguistic account of religion to argue that such a system is primarily a way of interpreting the world and the place of humanity within it, rather than a speculative theory. The justification of belief in such systems can be understood in terms of MacIntyre's account of tradition-constituted rationality, provided that this notion of rationality is made more specific by the incorporation of elements of Lindbeck's theology. Equally, the book argues that Lindbeck's theology can be strengthened by the incorporation of elements drawn from MacIntyre's work. This book will be of value to students of philosophy and theology and to the general reader who is interested in the question of the grounds of belief.

  • Sales Rank: #907764 in Books
  • Published on: 2014-11-06
  • Released on: 2014-11-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .65" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 288 pages

Review
''This is a critical and astute exploration of the postliberal turn in philosophy and theology. Placing MacIntyre and Lindbeck in conversation illuminates the strengths and weaknesses of both authors, clarifying how far we may rely on the notion of 'tradition.'''
--Philip Goodchild, University of Nottingham, Nottingham, UK

''David Trenery has provided a thoughtful contribution to the debate about the public justification of religious belief. He offers an admirably clear exposition of Alasdair MacIntyre's account of tradition-constituted rationality--assured, detailed, and compelling--and then brings that into fruitful conversation with the work of George Lindbeck. Trenery's conclusions will be of interest to anyone asking whether and how tradition-constituted rationality can escape collapse into relativism.''
--Mike Higton, Durham University, Durham, UK --Wipf and Stock Publishers

About the Author
David Trenery is an Associate Lecturer at the Open University, United Kingdom. After a successful career in social work and social services management, he returned to his earlier study of philosophy and religion and was awarded a PhD at the University of Nottingham in 2013. He is now combining his expertise in philosophy and social work by working on the relationship between MacIntyrean virtue ethics and social work practice.

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Kamis, 27 Desember 2012

[S904.Ebook] Ebook Download Farm Management: Principles and Strategies

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  • Published on: 1600
  • Binding: Hardcover

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Selasa, 25 Desember 2012

[U887.Ebook] Download Ebook Screening Space: The American Science Fiction Film, by Vivian Sobchack

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Screening Space: The American Science Fiction Film, by Vivian Sobchack

This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.

  • Sales Rank: #697797 in Books
  • Published on: 1997-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x .71" w x 6.21" l, 1.10 pounds
  • Binding: Paperback
  • 352 pages

Amazon.com Review
Screening Space, the reprint classic from Rutger's University Press, has been significantly enlarged to update the science fiction film since the early 1980s, examining classic and contemporary sci-fi films as a significant genre. Winner of the 1995 Pilgrim Award, the book examines the differences between the religious themes of 2001: A Space Odyssey and the clinical random evil depicted in Event Horizon. Vivian Sobchack's detailed analysis of a wide range of films and inclusion of black-and-white movie stills allows a better understanding of science fiction films as an art form that can often present its characters, a la Blade Runner, as "more human than human."

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10 of 11 people found the following review helpful.
A standard listing on Sci-fi bibliographies, but an odd hybrid of a book
By Robert Moore
Vivian Sobchack's survey of the Sci-fi film from its beginnings in the silent era through the 1970s remains a standard reference work on the genre. It was originally published in 1980 though later revised and expanded in 1987. Unfortunately, rather than attempt to rewrite the book, she left the 1980 text largely unchanged and instead added a long, new chapter that was different both in methodology and orientation than the three original chapters. The result is a book in which the new chapter has the feel of a not completely successful graft. The final chapter has a "stuck on" feel to it and doesn't really feel compatible with what went on before.

When the original edition of this book was published, it was important for two reasons. First, the genre studies approach to film, which is far more appropriate the evaluation of many films than the auteur criticism that had dominated from the 1950s even to the present, was still in its relative infancy. My own take on matters is that for certain directors with strong personalities, auteur criticism carries a great deal of validity, but that the weaker the director or the less predominant the director, the less help it is. Many film genres require less on the vision of a particular director than the dependence of the director and writer and producer on the history of that genre. Other films in the genre shape and mold and limit what can happen in other examples of the genre. Whether one considers the Western, the Mafia film, film noir, or Sci-fi, a discussion of the genre as a whole can provide considerable insight into any individual example of the genre. This was one of the first academic discussions of Sci-fi within that context. Second, the book was important for being one of the first academic studies that took the Sci-fi film seriously. In the late 1970s, when the original edition of the book was being prepared, Sci-fi was among the least respected genres in the movies. Though 2001: A SPACE ODYSSEY, STAR WARS, and CLOSE ENCOUNTERS OF THE THIRD KIND was beginning to change things, Sci-fi was neither critically nor economically successful. Today we are used to the box office dominance of Sci-fi films, but with only two or three major exceptions in the late seventies, this was not the case then. Sobchack's book played a small but definite role in making the Sci-fi film more relevant to film studies.

The first three chapters of the book remain exceptionally helpful in analyzing the crucial nature of Sci-fi films before their emergence as big box office in the eighties and beyond. Many of the films she discusses were staples of Saturday afternoon TV movie slots, which is where I first saw many of them. THE THING, THEM!, THE DAY THE EARTH STOOD STILL, IT CAME FROM OUTER SPACE, DESTINATION MOON, WHEN WORLDS COLLIDE, INVASION OF THE BODY SNATCHERS, and a host of other classics get extensive coverage in the book and she spends a great deal of time not only analyzing their essential characteristics but contrasting them with and comparing them to the creature films that were showing at the same time. In doing this Sobchack did her part in helping to establish a canon of Sci-fi films. The discussion takes her in the three original chapters through other classics such as WESTWORLD, A CLOCKWORK ORANGE, PLANET OF THE APES, 2001: A SPACE ODYSSEY, SILENT RUNNING, and THX 1138. I had only one quibble with these original three chapters: an artificial decision to discuss only American made films. A number of significant and influential (and their influentiality along made their exclusion arbitrary) British films were left out, including the Quatermass films, VILLAGE OF THE DAMNED, THE DAY OF THE TRIFFIDS, THE DAY THE EARTH CAUGHT FIRE, and others, as well as Jean Luc Goddard's ALPHAVILLE. It also meant that Andrei Tarkovsky's great 1972 Soviet masterpiece, SOLARIS, received no discussion. It also left the very low quality but exceptionally large body of Japanese films out of consideration.

The chapter added in the late 1980s is simply odd. For one thing, she seems to have read and not completely digested the work of Fredric Jameson. I have no complaints with her interest in Jameson, who is perhaps the most important academic of the past thirty years to have shown a sustained interest in Sci-fi. Both THE POLITICAL UNCONSCIOUS and POSTMODERNISM OR, THE CULTURAL LOGIC OF LATE CAPITALISM are well-thumbed volumes on my bookshelf. The problem is how dissonant this chapter is with the earlier chapters. It almost feels like the work of an entirely different author. Marxist ideas were completely absent from the first chapter, but predominant in the final one. Moreover, it is as if she hadn't completely interiorized Jameson and Mandel's ideas, but was instead almost parroting Jameson. Another problem here is that the first three chapters were models of clarity. Jameson is not an especially easy to read writer, and is very much a product of the European tradition of writing in which authors tend to encrust their ideas in difficult to decade jargon (a tradition opposed to other writers who strove for clarity of expression and lack of academic jargon and included writers such as David Hume, Schopenhauer, Nietzsche, Kierkegaard, and Wittgenstein, as opposed to Kant, Hegel, Heidegger, Marx [who could write beautifully and simply when he wanted to], and Derrida who cannot be read so much as interpreted). This seems to have infected Sobchack and the final chapter is a chore to read. A number of additional films are discussed, including the STAR WAR films, E.T., BLADE RUNNER, and REPO MAN. I do not, however, believe that this was a successful chapter. It attempts to apply Jameson to the most recent changes in Sci-fi film in an effort to capture the movement of history. As a whole, I felt that this chapter significantly weakened the book as a whole.

Nonetheless, this is a must read book for anyone wishing to study the Sci-fi film. It definitely has its weaknesses, but it just as surely has its strengths. I would perhaps caution readers to focus mainly on the first three chapters and to consider skipping the last one.

4 of 4 people found the following review helpful.
Film criticism the way that it should be done.
By frumiousb
Would-be film critics could take lessons in readability from Sobchack. She makes her point clearly, without excessively convoluted text. In addition to being thought-inspiring, it is genuinely well-written and often a pleasure to read.

Sobchack divides the books into chapters that address issues of definition, image, dialogue and sound in the science fiction film. It is the definitive book on the subject, and students of the genre should definitely begin here.

Note: I read the second edition of the book, rather than the third that is for sale at the time of writing this review. If the book has a serious flaw, it is simply that any take on futurism in science fiction goes out of date astoundingly quickly.

5 of 7 people found the following review helpful.
Worth reading if you enjoy Science Fiction and its phyche.
By Jonathan Raimer
I recommend anyone who is interested in Science Fiction to at least glance at this book. Yes, glance. What I enjoy most from this book is how it provides pictures of movie scenes, corresponding them with the points and theories presented. It does it in a way to make what may seem overbearing (to some people mind you) rather interesting and insightful. The visualizations help things 'click' so well. The reading becomes more and more bareable as you read on once you get used to the structure. It's great. Even if you don't like reading, buy it for the pictures it presents; just by looking at them and the small, bold explainations below will help you gain a whole new outlook on Science Fiction. Besides the visuals, I would say it is the best critical response of the Science Fiction film I have read. Other books I checked out seemed boring and unattractive. This book caught me when I looked at it. In fact, I was doing a paper in college for a History through Film class and my Instructor asked for the Catalog information. So I guess I'm not the only one. Other then that, the seriousness of the book gives the genre what it diserves while retaining your interest to read on. Most importantly, though, it helps clear up thoughts I've had for years and makes it presentable in words. Very gratifying. Check it out.

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Jumat, 14 Desember 2012

[K538.Ebook] Free Ebook English Literature: A Very Short Introduction, by Jonathan Bate

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English Literature: A Very Short Introduction, by Jonathan Bate

A renowned critic, biographer, and Shakespeare scholar, Jonathan Bate provides in this Very Short Introduction a lively and engaging overview of the literature that Jorge Luis Borges called "the richest in the world." From the medieval "Hymn of Caedmon" to George Orwell's "Why I Write," from Jane Austen to Ian McEwan, and from Winnie the Pooh to Dr. Johnson, this brilliant, compact survey stretches across the centuries, exploring the major literary forms (poetry, novel, drama, essay and more), the many histories and theories of the very idea of literature, and the role of writers in shaping English, British, and post-imperial identities. Bate illuminates the work of Chaucer, Shakespeare, Wordsworth, Dickens, and many other major figures of English literature. He looks at the Renaissance, Romanticism, and Modernism, at the birth of the novel and the Elizabethan invention of the idea of a national literature, and at the nature of writing itself. Ranging from children's literature to biography, this is an indispensable guide and an inspiration for anyone interested in England's magnificent literary heritage.

  • Sales Rank: #366660 in Books
  • Published on: 2010-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.30" h x .50" w x 6.80" l, .62 pounds
  • Binding: Paperback
  • 192 pages

Amazon.com Review

English Literature: Questions for Consideration and Discussion

  • What have been the key texts for creating our images of Britain? Jane Austen for our idea of village life, Dickens for London, Hardy for rural England...?
  • Do works of children’s literature date more quickly than adult ones?
  • Is it useful to make a distinction between “popular” literary genres--detective story, science fiction, spy thriller, chick lit--and the “literary” novel?
  • What should be the limits to our definition of literature? What sort of literary qualities can we find in non-fictional genres such as the essay, the travel book, the history book, even a work of political theory or natural history?
  • Is our sense of the role of poetry now confined to the private sphere (love poetry, nature poetry, the poetry of personal memory) whereas it used to be a more public form (political poetry, satire, war poetry)?
  • Is there a tension between seeing Shakespeare’s plays in performance and reading them as literature?
  • Review
    While exploring towering works, Bate remins us that literature can also be terrific fun. Christopher Hirst. The Independent

    About the Author

    Jonathan Bate is Professor of Shakespeare and Renaissance Literature at the University of Warwick. A best-selling author and an authority on Shakespeare, he is a Fellow of the British Academy and a Governor of the Royal Shakespeare Company.

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    6 of 6 people found the following review helpful.
    Contextualising text
    By Jon Chambers
    There's a lot of ground to cover in Eng Lit: 'sweeping across two millennia and every literary genre', as the inside flap promises. For a while, it seems as though the need to cram everything in might be the book's undoing - even though at 167pp it's one of the longer Shorts. Such worries are premature: analysis comfortably outweighs potted literary history.

    For me, it isn't the chapter on Shakespeare (Bate's specialism) that forms the book's highlight, but the last two, on the novel and on multicultural English. In the first of these, the development of the 'stream of consciousness' in such novels as Ulysses and Orlando is considered in relation to recent work in brain science. As with The Genius of Shakespeare, therefore, Bate shows a willingness to look beyond the confines of his own subject in order to understand it more fully. And in his concluding chapter, entitled The Englishness of English Literature?, Bate examines a diversity that has characterised the literature of the British Isles since even the pre-modern, pre-mass immigration era, with its sharp political, religious and social divisions.

    Witty as well as thought-provoking, the book is itself literary (I noted homage to EM Forster and Blake, and doubtless missed other instances) in a way that will probably appeal to those who are 'in' without annoying those who aren't. It is also wide-ranging, up to date and perceptive (Coleridge and Hazlitt are seen as the originators of opposing 'formalist' and 'historicist' schools of criticism). With so much to commend it, we might even excuse its rather sniffy attitude to the on-line review - the 'free-for-all ... in which everyone is a critic'. Bate does, after all, concede that such electronic chat may just be an extension of the democratisation that began in the C18 coffee house.

    Ultimately, therefore, one of the more inspired and inspiring VSIs.

    0 of 0 people found the following review helpful.
    Interesting reading.
    By Rosemarie Snyder
    The author assumes a knowledge of English literature, while summarizing periods of English literature.
    I am not sure who the audience is supposed to be. It is interesting reading but not what I expected.

    0 of 0 people found the following review helpful.
    Splendid introduction
    By Charles R. Baker
    Sir Jonathan is brilliant. Do yourself a favor: read everything he has published, and take his classes on futurelearn.com

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    Senin, 10 Desember 2012

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    Going Somewhere: Truth About a Life in Science, by Andrew Marino

    Going Somewhere is a dynamic autobiographical narrative about biophysicist Andrew Marino’s career in science since the 1960s. The book explores—with a depth and drama that arise from personal involvement—an exceptionally wide range of science-related matters: the function of electricity in living things; the influence of corporate and military power on science; the operation of the NIH, FDA, and other state and federal agencies dealing with human health; the problem of scientific “experts” in legal settings; the distorting influence of the physics model of science on biology; the role of chaos theory in experimental biology; and crucial public misconceptions about how science functions. These matters arise in the long course of Marino’s scientific and legal activities in the complex 35-year debate over the health risks of EMFs.

    • Sales Rank: #524668 in eBooks
    • Published on: 2011-07-17
    • Released on: 2011-07-17
    • Format: Kindle eBook

    Review
    This dramatic story of science for sale is told unassumingly, from an intimate, personal viewpoint, replete with courtroom cross-examinations, mordant observations about individuals, and dream fantasies. Marino is engaged in a personal quest, and he reveals his thoughts in a way few scientists have dared. He is indeed a seeker of the truth, about electromagnetic fields but also about his own life. His story is both disturbing and uplifting. --Brian Martin, Professor of Social Sciences

    People whose lives have been touched by cancer or other medical calamities donate generously to the agencies which promise a "cure." Yet the agencies often care more about maintaining their own life-style and the polluting military-industrial complex which funds it, than they do about finding "cures." Going Somewhere uncovers the insanity of this system designed to hide the truth and reward the polluter rather than the scientist trying to improve the public health. Every young researcher will have to decide between truth and "easy street," and this is a must-read to warn them about the difficult choices ahead. --Rosalie Bertell, Physicians for Humanitarian Medicine

    In this thought-provoking book, Marino recounts his extraordinary journey through the realm of health risks associated with electromagnetic fields (EMFs), his quest for knowledge and truth, and his battle for justice. It is a thoughtful, fascinating book which contains the wisdom of an accomplished investigator, a true Doctor of Philosophy who has been able to stand back, to question the established order, and to be tenacious in his quest. I highly recommend it to anyone interested in the effects of electromagnetic fields on living beings, especially to the truth-seekers, to those interested in the functioning of modern science, in environmental science and in its legal aspects. --Stephane Egot-Lemaire, Bioengineer

    For the readers coming on this scientific niche for the first time, the stories are fresh and compelling, and like me they will be unable to stop reading. The book follows the genre established by Rachel Carson and others, and is more than a worthy successor, written in an attractive style and reflecting a clear knowledge of the classics whose early paradigms tell us there is nothing new in human society. (I particularly loved Marino's visit to Hades to question some of the departed biophysics fraternity.) --Roger Coghill, Biologist

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    7 of 7 people found the following review helpful.
    Dr. Marino's Revelations
    By Donald Hillman
    Dr. Andrew Marino's new book, Going Somewhere - Truth About a Life in Science, has courageously unveiled the covenant of Truth, the promise of Renaissance, upon which good science is presumed to be based. The electrical industry's ruthless egomania and disregard for Truth contribute unlimited power to inhibit justice by controlling government officials, the information and education media, and the courts in some jurisdictions. The oxymoron myths promoted by utility "experts" to defend their electrical trespassing, as observed by Marino, were dispelled by cow-side investigators who discovered in Midwest (USA) farms, homes, schools, and workplaces that electric and magnetic fields were destroying productive livestock enterprises, the families, and the economy they supported. Numerous peer reviewed studies concur that EMF can compromise the immune defense systems of animals and man and is synergistic with other ailments, thus proliferating and exacerbating allergies, heart disease, diabetes, cancer, and other diseases. Only a well educated electorate, which Dr. Marino so skillfully accomplishes, can reverse the trend and adopt public policies based on Truth. Industry profits should pay for corrective engineering, reconstruction, and the enormous financial burdens on citizens' suffering and to health systems caused by negligence and EMF trespassing on private property by electric power and communications corporations.

    Bravo! Andrew has it right! I look forward to his next book!

    Donald Hillman, Ph.D., Professor Emeritus, Michigan State University, East Lansing, MI.

    5 of 5 people found the following review helpful.
    Deep, revealing, daring and disturbing.
    By Lloyd Burrell "Electricsense"
    I loved this book. Its very much one man’s story, that of a brilliant but humble scientist, Andrew Marino. He talks about his life, his work, his frustrations. This is not your typical book about EMFs that recites studies in an impersonal way. There's one passage in the book that sums up things quite succinctly, “Despite my success in the laboratory I never forgot what [ someone] had said to me many years ago, that my work would never be noticed and even if it was, it would never gain acceptance, and even if it did, it would have no practical consequences in the world.” If you’re looking to understand not just EMFs, but misconceptions about science and the perversion of corporate and military power and the legal system, this is the book for you.

    5 of 5 people found the following review helpful.
    Is EMF bad for your body? I now know the answer.
    By Hans Jacob Hvide
    Dr. Marino, thank you for your informative book.

    I have spent a lot of time and effort on my own trying to make heads and tails of health effects caused by EMF. I have read study upon study, one view opposing the next.

    Is EMF bad for your body or does EMF go through us without any effect?

    I now understand why there are so many diverging opinions about health effects from EMF.

    You have clearly demonstrated to me that EMF is harmful for our bodies. I was hoping you were wrong.
    I commend you for your resilience.

    See all 15 customer reviews...

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    Sabtu, 08 Desember 2012

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    Jumat, 07 Desember 2012

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    • Published on: 2003-07-26
    • Binding: Paperback

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    • Sales Rank: #12649149 in Books
    • Published on: 1988-04-27
    • Format: International Edition
    • Original language: English
    • Number of items: 1
    • Binding: Paperback
    • 702 pages

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    Property (Examples & Explanations), by Barlow Burke, Joseph Snoe

    A favorite among law students and professors alike, the Examples & Explanations series is ideal for studying, reviewing and testing your understanding through application of hypothetical examples. Authored by leading professors with extensive classroom experience, Examples & Explanations titles offer hypothetical questions in the subject area, complemented by detailed explanations that allow you to test your knowledge of the topic, and compare your own analysis.

    • Sales Rank: #875304 in Books
    • Brand: Brand: Aspen Publishers
    • Published on: 2004-04
    • Original language: English
    • Number of items: 1
    • Dimensions: 1.09" h x 7.08" w x 9.86" l,
    • Binding: Paperback
    • 608 pages
    Features
    • Used Book in Good Condition

    Most helpful customer reviews

    4 of 4 people found the following review helpful.
    Do not attempt this course without this book
    By Phoetus
    You will read the cases and go to class, but you can't touch this subject until you've answered fifty questions WRONG. It can either be in this book or on the exam. You decide.

    33 of 36 people found the following review helpful.
    When reading the reviews below understand they are for old edition
    By BTideRoll
    First---as I've reviewed for the other E&E's, the database is melding the reviews together.

    I'm speaking of the newest edition which is quite good. I laughed reading the reviews below where people compare these to emanuel's and gilbert's when really they are a different breed.

    If you do your job and outline and supplement with E&E you really can't go wrong. They provide explanations and practice, not a "hold your hand and walk you through everything and do your outlining for you" method that apparently a lot of students want--hence the sales of emanuels and gilbert's.

    In sum, if you are looking for a comprehensive outline on law get a commercial outline. If you are looking for explanations and real practice, take a look at these. As the reviewer below stated, this newer edition is definately worth a shot.

    3 of 3 people found the following review helpful.
    This Book Helped Me Ace Property
    By Tax Lawyer
    I used this book throughout the semester and read it alongside my case book. Usually other students struggled with the basics in class, but I already had the vocabulary and the black letter law down after reading this book. I don't understand the prior reviewer's comments bashing this book--perhaps they are referring to an earlier edition? I thought this book was easy to understand and a great supplement for a difficult course. Of course, Property is so difficult that I recommend using this study aid throughout the semester, rather than trying to cram it all in at the end--perhaps that is the issue prior reviewers had.

    See all 20 customer reviews...

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    Senin, 03 Desember 2012

    [U812.Ebook] Download Ebook The Nazi Doctors: Medical Killing and the Psychology of Genocide

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    Jumat, 23 November 2012

    [L263.Ebook] PDF Download Borrowed Dreams (Scottish Dream Trilogy Book 1), by May McGoldrick

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    Borrowed Dreams (Scottish Dream Trilogy Book 1), by May McGoldrick

    From the National Best Selling Author
    The first Book In a New Trilogy (Scottish Dream Trilogy)

    Winner of the Holt Medallion for Best Historical Romance

    THE PROPOSAL
    Driven to undo the evil wrought by her dead husband, Millicent Wentworth must find a way to save her estate and free the innocent people he enslaves. Her only hope is a marriage—in name only—to the notorious widower the Earl of Aytoun.
    THE GROOM
    Devastated by the tragic accident that killed his wife and left him gravely wounded, Lyon Pennington, fourth Earl of Aytoun, is tormented by the accusations that blame him for the catastrophe. Filled with despair, he lets his mother lure him into a marriage of convenience—for the sake of a good-hearted woman on the verge of financial ruin.
    THE DESIRE
    Under Millicent’s gentle gaze, Lyon begins to regain his strength and his wounded heart begins to heal. And soon Millicent discovers that beneath his unruly beard and grim demeanor, Lyon just may be the most handsome—and caring—man she’s ever encountered. For the first time in her life, she realizes that she is alive—alive with a smoldering desire for the one man she’ll love forever…
    Winner of Holt Medallion for Best Historical Romance
    Winner of Romantic Times Award for Best British-Set Historical Romance

    ***** This is a tender story that offers a fresh and unusual twist on the Beauty and the Beast fable that holds a dear place in many a heart. A KEEPER!

    • Sales Rank: #121352 in eBooks
    • Published on: 2013-12-01
    • Released on: 2013-12-01
    • Format: Kindle eBook

    Most helpful customer reviews

    225 of 253 people found the following review helpful.
    Did I read the same book as the others here?
    By Susan Smith
    Total rubbish. I admit to a DNF and let me give you just a few examples from the opening chapters to explain why:

    1 - The author(s) haven't any feel for the geographical setting of this book which revolves around slavery. For a start, although slaves could be brought into Britain in 1772, they could not be bought or sold; they could be brought into the country only as personal servants - indeed, admittedly there was a fashion to have young black pages but many of them were not slaves but were servants and freemen. Also, in 1772 (the year in which the book opens with a slave auction) the Lord Chief Justice, Lord Mansfield, made a ruling under common law that "the condition of slavery did not exist under English law in England". Therefore, much of the premise of the book is quite inaccurate and to me, therefore, unacceptable. I could see that in Jamaica the heroine's late husband could be a nasty man but I can't believe he could have got away with holding slaves and mistreating them in England itself.

    2 - Titles. A personal hobby horse but please note that a wife of "Squire Jones" is not Lady Jones; squire itself is not a "title" of any sort - it merely refers to an owner of a substantial property for farming purposes in the countryside. The hero's mother, a dowager countess, is introduced in the first chapter as "Lady Archibald Pennington, Countess of Aytoun. Her given name is Beatrice". I haven't the first clue what the authors were doing here but it is completely wrong. As I and others have noted in reviews, why get things 100% wrong when 5 minutes looking at the internet would put you right? Do authors actually prefer making a mess of this sort of thing? Why write about titled people in a country you apparently know little about and thus make a complete bodge of it? I just don't get it.

    3 - Attempts at dialect/accent. Having all characters not of the gentry/aristocracy continually use "ye" in conversation is silly beyond words since the authors have both Scots and English servants do it when their accents and dialects would have huge differences.

    4 - The solicitors (not lawyers in England) are "Sirs". Baronets or knights? Really? In the 18th century solicitors or barristers were generally middle class (sometimes younger sons of the lesser aristocracy) and untitled (so not baronets) and certainly not knighted for their profession. It does not take much research to establish that.

    5 - Field hands. Maybe on slave plantations in America but in England those who work in the fields are called farm workers, estate workers, cowmen, ploughmen, shepherds, or labourers but not field hands. Also, trying to make an English country estate akin to a plantation in Georgia is so irritating that I could not take it any longer and so began to contemplate a DNF.

    6 - The drugged hero. He has family who love him but they seemed to have no compunction in drugging him into a continual stupor. I am afraid I just did not care enough by the 5th chapter to pursue this any further.

    Finally, OK - I admit I could not persist in this. The writing style is grating (perhaps because there is more than one hand in it) and the attention to period and historical detail was not at all high quality. As much as I dislike giving a bad review, I hope I've given enough detail above to show why I could not get interested enough to read this.

    42 of 46 people found the following review helpful.
    An extrodinary historical romance...
    By cmiller
    Five years ago, after her husband was killed, Millicent Wentworth went about trying to right all the wrongs her husband commited. Millicent knew from experience exactly what the slaves had to endure at the hands of her brutal husband. Given into marriage by her uncle who only wanted to get rid of her, Millicent was more than relieved to become a widow. Then her husband's creditor, Jasper Hyde, started calling in her debts. When the dowager countess of Aytuon requests that she marry her son in return for all her debts to be paid, Millicent's refuses, for she knows she can never endure being a man's possession again. When the dowager talks her into it, Millicent has no idea how much her husband will come to mean to her, or how wrong for him she is.
    Lyon Pennington, Earl of Aytuon didn't care one way or another if he was married. Crippled on the night that his wife fell off a cliff, Lyon took refuge in the medicine that the doctors insisted he take. When taken to Melbury Hall, he soon is brought out of his drug induced stupor by the woman he doesn't recall, but knew he married.
    I would give this book six stars if I could. Millicent is one of my favorite historical heroines. With her courage and compassion, Millicent saved many lives, include Lyon's. Even after getting through five hellish years of marriage and almost dying, Millicent still has good in her heart. McGoldrick brings the reader two people who help each other come to terms with their pasts and heal their hearts, all while falling in love. The secondary characters in this book are unforgettable. The whole storyline was great, not like most historicals where the most pressing issue is what is fasionable to wear.
    Don't miss it!

    20 of 22 people found the following review helpful.
    A not so historical Historical Romance
    By Lance D
    This is a cute story about values, people who uphold values, and how people can change. The Heroine has so much depth to her at the beginning, that she doesn't develop very much. However, it seems like she devolves, more than evolves, in this story line, as she gets used to her new husband. For a woman who wanted things so steadfastly in her way once her first husband died, she really caves in when her new husband begins to make real demands that don't include drugs. The Hero evolves more than she does. He at least goes from surly and demanding to just outright demanding.
    Oh, and I won't get started on the inaccuracies of the time period. I just won't.

    See all 86 customer reviews...

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