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Haunted by a single night four months ago, Krissa has cut herself off from her friends and loved ones, afraid to taint them with the darkness swirling within her. Left reeling from the consequences of the spell that removed an unwanted consciousness from her body, Crystal will stop at nothing to reclaim the magic she lost. Set adrift in a world she never prepared to live in, Sasha clings to the one thing she believes will bring her peace: seeking revenge against the person who destroyed her future. When a new threat emerges against Krissa and her friends, will she be strong enough to do what is necessary to save those she loves?

• Sales Rank: #2369837 in Books
• Published on: 2015-12-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .91 pounds
• Binding: Paperback
• 280 pages

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2 of 2 people found the following review helpful.
Best series in a long time, need the next book now!!
By Amazon Customer
I was offered this book in exchange for an honest review. Although the app I needed wasn't working for some reason so I ended up paying 99cents.

First of all I need to say I could not wait for this book to be done. I needed to know what happened with the characters and how their lives went on and were changed after the death of Seth. But as soon as I started reading I have to say the first third of the book did not hold my interest. I actually started skimming thru it. I prefer books that have more dialogue but this was not just no dialogue. It was needless information I thought and nothing was happening. But nevertheless I kept on because I knew it had to get better after reading the other books. And it did not disappoint!!

Halfway thru the book it got interesting. With Sasha being who she is caused all kinds of problems. And Krissa had shut herself out after killing Seth. I felt so sorry for her. And I was kept wondering if she was going to lose Owen for good. I found myself getting so mad at Krissa for not just telling Owen everything, after all he knows everything else. But I feel like things there will work out but I'm team fox and have been from the beginning. So I can't help but wish fox would win. Lol yea I know.

Anyway, the book was written very well. And after the first part of it, I couldn't put it down. I read it in one day. I had to know what was going to happen next. And before I was ready it was over. And what a cliffhanger!! I'm so mad right now!! Krissa is the best friend ever. Taking the dark influence like that. Will her friends be able to help her?? Idk...I need the next book now!!!

I want to finish by saying THANK YOU Madeline Freeman. You wrote one of the best series I've read in a long time. The first I've read of your books and I'm hooked. You are a great writer and storyteller. Now hurry up with the next book!! :)

1 of 1 people found the following review helpful.
Darkness is hard to remove.
By Alyz's Reviews
Was apart of the ARC team for this book for an honest review!

Grips you and never lets go until the last page. And even then you will be obessing over it.
A worthy obession!!

0 of 0 people found the following review helpful.
Part 4 to a gripping series
By Mrs W.
I was given this book by Madeline Freeman to read as part of her ARC in return for an honest review, which I am happy to give.

Once again Madeline has written each chapter dedicated to the viewpoint of individual characters which gives the reader a unique insight into that character's own thoughts and feelings. I really like this writing style as it pulls you in and makes you feel like you're part of the story.

I love that Madeline draws you into the way that each character sees themselves and thinks - at times it makes you want to hug them and at others to scream at them to wake up and see themselves the way others do. Sasha is the new "love to hate" character in the book and you just want to be able to tell the other characters to watch their backs as she's out for revenge but they just can't see it!

All in all yet another excellent instalment of the Clearwater Witches series and I can't wait for book 5 - get those keys tapping Madeline :-)

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• Sales Rank: #3 in Books
• Published on: 2016-11-18
• Released on: 2016-11-18
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x 1.20" w x 5.90" l, .0 pounds
• Binding: Hardcover
• 304 pages

About the Author
J.K. Rowling is the author of the bestselling Harry Potter series of seven books, which have sold over 450 million copies, been translated into 79 languages, and made into eight blockbuster films. She has written three companion volumes in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them (in aid of Comic Relief), and The Tales of Beedle the Bard (in aid of Lumos), as well as a screenplay inspired by Fantastic Beasts and Where to Find Them. J.K. Rowling has also collaborated on a stage play, Harry Potter and the Cursed Child Parts Parts One and Two, which opens in London’s West End in the summer of 2016. In 2012, J.K. Rowling’s digital company Pottermore was launched, where fans can enjoy her new writing and immerse themselves deeper in the wizarding world. J.K. Rowling has written a novel for adult readers, The Casual Vacancy, and also writes crime novels under the pseudonym Robert Galbraith.

Most helpful customer reviews

99 of 104 people found the following review helpful.
Fantastic story
By Jamie D
I did not read this until after I had seen the movie, so I had the visuals playing in my head as I read, down to Newt's awkward lovability and Jacob's wonder. Even without seeing the movie first, though, this screenplay gives you enough story to be able to appreciate the dangers of this new Wizarding world.

44 of 45 people found the following review helpful.
Amazing!!!!
By Karen Osborn
Once again Ms. Rowling delivers a fantastical world within our own. I can't wait to see it on the big screen! Thank you Ms. Rowling! Keep our Harry Potter dreams alive!!!!

49 of 51 people found the following review helpful.
but just a few pages in and already laughing at the amazing wit JK Rowling brings us
By Kinsella
Yes, it's a screen play, but just a few pages in and already laughing at the amazing wit JK Rowling brings us. Another gem to add to the collection!

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• Published on: 1600
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Jamaica is known widely for its beautiful beaches and the reggae music scene, but there is much more to this Caribbean country. Culture and Customs of Jamaica richly surveys the fuller wealth of the Caribbean nation, focusing on its people, history, religion, education, language, social customs, media and cinema, literature, music, and performing and visual arts. Jamaican Creole and the education system, which are not often discussed in volumes aimed at a general audience, are also examined here. Students and other interested readers will witness the unveiling of this complicated and unique country within this volume. Indispensable for the its insights on the making of modern Jamaica.

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• Sales Rank: #2855909 in Books
• Published on: 2000-11-30
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .63" w x 6.14" l, 1.34 pounds
• Binding: Hardcover
• 256 pages

Review
"[A]ppropriate for both public and academic library collections."-Reference & User Services Quarterly

"ÝA¨ppropriate for both public and academic library collections."-Reference & User Services Quarterly

?[A]ppropriate for both public and academic library collections.?-Reference & User Services Quarterly

About the Author

MARTIN MORDECAI is a former Jamaican career diplomat and civil servant, now resident in Toronto as a freelance writer and photographer, and businessman./e

PAMELA MORDECAI, is an independent scholar and poet who has written over a dozen books in language arts for high school students and has edited anthologies of Caribbean literature./e She is publisher of Sandberry Press, a small press devoted to Caribbean literary publishing, which operates out of Kingston Jamaica and Toronto, Canada.

Most helpful customer reviews

0 of 1 people found the following review helpful.
What about natives?
By polaroid seeker
Jamaica and Caribbean were the first natives before black slaves were overran them. The indians were gone long time ago. This book does not mention first natives. That is not right.

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Type 1 diabetes is life changing for the whole family in this book you will gain access to a lifetime of expert knowledge and experience of living with diabetes that will educate and empower you and your family to live with diabetes on your terms. This book is not just an educational tool it shares a philosophy that has seen the author achieve outstanding successes.

• Sales Rank: #7891050 in Books
• Published on: 2015-01-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .47" w x 5.00" l, .46 pounds
• Binding: Paperback
• 208 pages

About the Author
Paul Coker was diagnosed with Type 1 Diabetes in 1977 and describes himself as an expert patient, he is a well know supporter of a number of diabetes charities and a public speaker. Paul has featured in BBC TV programmes about living with diabetes and as public speaker is passionate about diabetes education. Living with diabetes is about all of the things that you can do and for Paul this has included walking barefoot on burning coals, running half marathons and making history as part of the largest ever team of people with type 1 diabetes to summit Kilimanjaro. Paul lives with his wife Denise and their 2 daughters and he is currently planning his next challenge.

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1 of 1 people found the following review helpful.
Impassioned and inspiring account of how to live life to the full in spite of Type 1 Diabetes
By Debbie Young
I don't have diabetes myself, but have been living with it in my family for many years, as both my husband and our own child have T1D, so my own life is profoundly affected by the disease every single day. I first met Paul Coker via our regional JDRF group and have been impressed by all the work he does to boost awareness of T1D, to raise funds for diabetes charities, and to help others with diabetes live their lives to the full, in spite of their condition, so I was very interested to hear about his new book.

In it, he records and expands upon his own long journey with diabetes, candidly sharing the ups and downs and helping others to benefit from what he has learned along the way. One of the many great things about this book is that he admits to his own occasional failures. This is very empowering to the reader, because it lets them off the hook for their own inevitable crises or errors of judgement in managing their diabetes, while also encouraging them to get back on the wagon, rather than going into a downward spiral of despair.

The reader cannot fail to be impressed by Paul's zest for life, his determination and his integrity, and this book will inspire and encourage anyone who struggles with managing their own diabetes. I don't expect everyone to agree with everything he says - I didn't (e.g. his views on diet), and obviously all readers shouldn't change their management techniques and practices without consulting their own medical support team - but it's still worth reading all that he has to say, and then drawing your own conclusions as to what to take away from his book, and there is plenty in here that is very helpful indeed.

One of the best take-aways for me was his recommended stance for meeting your medical team - that you should act like you are chairman of the board, and the medics are your staff, working for you - that's hugely empowering and positive attitude. Too often, clinic appointments can make you feel like you're up in front of the headmaster, on the defensive, but Paul's approach has transformed the way I view them now.

Another feature that I particularly appreciated was, at the back of the book, essays by some of his family members on how his diabetes has affected them. I've heard many families talk about the impact of one child's diabetes on their siblings, and his brother's account is especially powerful and moving. I'll be recommending this section in particular to friends who have issues with siblings' anxieties.

All in all, an interesting, stimulating, positive book, written with conviction and integrity, that is a welcome addition to my growing library of diabetes-related books.
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[N340.Ebook] Download PDF Becoming Picasso: Paris 1901 (The Courtauld Gallery), by Barnaby Wright

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This fully illustrated catalog, with essays by leading and emerging scholars in the field of Picasso studies, tells the remarkable story of Pablo Picasso's breakthrough year – 1901 – as an artist. It brings together an extraordinary group of paintings to explore his rapid artistic development during this single year, which launched his career and reputation in Paris. These major paintings will be reunited from public and private collections internationally, making the catalogue a unique opportunity to experience Picasso's very first masterpieces.

• Sales Rank: #387062 in Books
• Brand: Brand: Paul Holberton Publishing
• Published on: 2013-02-28
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x .63" w x 8.50" l, 1.78 pounds
• Binding: Paperback
• 160 pages

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• Used Book in Good Condition

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5 of 5 people found the following review helpful.
Picasso From Nineteen to Twenty
By Kenneth Hughes
This is the catalogue accompanying the similarly named exhibition at London's Courtauld Gallery from February to May 2013, which presents eighteen major figure paintings from the year in which Picasso turned twenty. To concentrate on one year in the life of an artist whose active career spanned almost eighty years, and to consider only eighteen of what is estimated to have been almost 250 works (oils, pastels, and realized drawings) he created in that year, may seem like far too narrow a focus to yield much critical understanding. But the opposite turns out to be true; 1901 was such a significant year for the artist that an examination of even just a sampling of his work reveals much that is valuable for understanding his later development and, indeed, his lifelong practices. Picasso's first visit to Paris in the previous year was a kind of testing of the waters, but when he returned in May 1901, he had to face two very stark realities. One was the fact that his good crony and erstwhile traveling companion, Carles Casagemas, had in the meantime committed a particularly dramatic suicide over an unrequited love affair, and the second was that Picasso was about to get his first big public show at the galleries of Ambroise Vollard and he had to produce work to put in it. This exigency seems to have displaced his coming to terms with his friend's death, and in the next five or six weeks he produced most of the sixty-four paintings that Vollard exhibited. These are paintings with the open and broken brushwork that had been the touchstone of the Impressionists and Post-Impressionists, works in which Picasso confronts, absorbs, and subsumes the styles and subjects of the modern French tradition that stamped the Parisian art-world of the time. His evocation of the gaiety and decadence of the Belle Epoque was so striking and successful that the Parisian art press even spoke of a "Spanish invasion," and the critics were confounded when, instead of continuing in this winning vein, he reinvented his style even in the closing days of the exhibition, greatly muting his palette and adopting sombre, even melancholy themes, possibly finally feeling the emotional effect of Casagemas's suicide. Now come the more contemplative and timeless, more measured and carefully composed works with a mournful tinge: the series of absinth drinkers, of harlequins, of mothers with children--some with an anticipatory blue tonality that becomes more prominent as the summer wanes to autumn and he starts to paint what we now see as the precursors of the Blue period soon to come. "The Blue Room (The Tub)" from the late summer (The Phillips Collection) can be seen as a convenient marker of the transition. And now come also the three paintings he made of his dead friend, the existence of which he concealed until the compilation of a catalogue raisonné of his work sixty years later. As he reportedly said, it was the death of Casagemas that started him painting in blue. The difference in the two styles is reflected in the division of the installation in the two smaller rooms on the Courtauld's top floor.

In sum, 1901 is an extremely important, even pivotal, year for Picasso. It sets patterns for his entire artistic future, from the relatively minor (his adoption of the trademark "Picasso" signature that is now so familiar and that seems to be his signal that his creative identity is now set) to the major (the volatile mutability of his style will be a characteristic of his entire oeuvre from now on). These patterns are expertly exemplified by the eighteen full-page catalog reproductions in fine color and clarity. They are accompanied by some sixty additional illustrations, many also full-page or half-page, and by excellently informed and clearly written annotated commentaries by Barnaby Wright, the Courtauld's Senior Curator and the volume's editor, who also contributes a comprehensive introduction. There are also three essays by Picasso scholars that deal with topics ranging from Picasso's practice of painting over existing canvases and its implications for his own sense of development; to the conceptions of "genius" that coalesced around his painting and his person; and the Nietzschean intellectual atmosphere that informed his most ambitious painting of the year, "Evocation (The Burial of Casagemas)." I found these all to be very enlightening. The book closes with an appendix that consolidates earlier research and makes important new suggestions in the attempt to match the Vollard catalogue descriptions to actual works (a feature that will make the catalogue particularly valuable to scholars and art historians) and with a brief but useful bibliography of frequently cited works. There are so many Picasso books that one has to be very selective in choosing what to buy--or even read--but this is one I can recommend highly; it casts good light on this period in Picasso's life, and in gathering together important paintings from many far-flung collections, it is an excellent resource and a valuable contribution to understanding his formative years.

0 of 0 people found the following review helpful.
Informative book written for specialist or academic readers in Picasso's 1901 work, but helpful for general readers too.
By 2215bee
This book, as it's title would indicate, is about only one year in Picasso's working life. The year is 1901, when he had just come to Paris to seek out a place for himself and his art in that very important metropolis. The book's first couple or three chapters are informative and interesting, and useful to anyone interested in Picasso's early years.

I should say at this point that I bought the book months before I read it, and only decided to read it after seeing the Picasso sculpture exhibition at MoMA.

Early on in the book, the important role of Carles Casagemas and his suicide for Picasso's development is discussed. The idea that the event of Casagemas' suicide impelled Picasso to take a more "original" approach to his art, as distinct from what he had been doing before (painting canvasses heavily reliant upon, or derivative of, the art of Toulouse-Lautrec, Delacroix, Van Gogh, Degas, and others) is advanced. The suicide hit Picasso very hard, according to at least one of the authors included in this volume, and essentially resulted in the makings of Picasso's Blue Period.

Another chapter -- and an interesting one at that -- deals with Nietzsche's influence on the times in which Picasso painted, and via a strange and rather loathsome character named Pompeyo Gener, on Picasso's "circle" in Barcelona (I think?) and of course, Picasso himself. I do not want to talk about Gener's Catalan anarchism, because of its similarity to outright fascism, and my disinclination to describe a topic that is handled well by the author of this topic in the book itself.

The last chapter in this short book is devoted to the notion of genius, as far as I can make out. I did not give this chapter its fair shake, due to its account of the rejection of the concept of "genius" in modern writers such as Walter Benjamin, who had some strange ideas (which I will admit to not understanding, because I have never read the essay "On the Work of Art in the Age of Mechanical Reproduction" where Benjamin's encounter with the notion of "genius" takes place.) I read a few pages of the chapter, got frustrated, and stopped there. My reasoning is simple: I hold that Picasso WAS a genius, pure and simple. And I am just not interested in "problematizing" "interrogating" or doing anything else about Picasso's genius, other than acknowledging it. There is an extremely funny quote from Georges Braque about Picasso in late life, though, which almost made the bit of reading in this chapter worthwhile: "Picasso used to be a very good painter; now he's just a genius." (!) The meaning of this quote will be clear to anyone familiar with the hagiography surrounding PP, once his reputation was solidified.
Because I didn't finish the chapter, I will leave things there, and let other readers decide for themselves on its value.

There is a selection of plates with good detailed descriptions, drawn from Picasso's work in 1901.

There is also a list of paintings shown in Ambroise Vollard's show, in which Picasso participated, also in, you guessed it, 1901.

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• Sales Rank: #2335539 in Books
• Published on: 1982-12
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Paperback
• 192 pages

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0 of 0 people found the following review helpful.
Five Stars
By Matt
I had to buy this for my non-profit class

8 of 8 people found the following review helpful.
The Vital Judo books are my all-time favorite Judo books.
By A Customer
There are two volumes - Throwing Techniques and Grappling Techniques. Rather than the usual textbooks which include only the basics, these books are dedicated solely to applications and combinations. If you want ideas on how and where to apply your favorite throw or ne-waza move, these books are for you. These books are much more like the Judo Masterclass Techniques, and I wish someone was still publishing these as they are outstanding.

5 of 5 people found the following review helpful.
Okano is the Master.
By A Customer
Simply the strongest books ever written for the serious Judoka!
These are treasures. It is a crime no publisher is printing them. Nothing printed today compares. If you think Judo is just about throwing, study the book and accomplishments of Okano! Your Newaza will improve.

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Previous editions of this book have been at the forefront of changes in sociology's perspectives and views. No different is this third edition as it examines the family through a feminist perspective; addresses diversity and multiculturalism; and reflects upon the globalization of sociology. D This updated edition analyzes the family life cycle from an historical and cross-cultural perspective. The issues of race, class, gender, and ethnicity are incorporated into the theoretical framework. Global examples are used to illustrate the diversity of American family dynamics. The book also explains how political and economic changes such as industrialization and urbanization affect the structure and dynamics of the family. From educators to parents, medical personnel to clergy, sociologists to psychologists and family therapists.

• Sales Rank: #3171195 in Books
• Published on: 1997-07-28
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 7.50" w x 1.25" l,
• Binding: Hardcover
• 576 pages

From the Back Cover
Previous editions of this book have been at the forefront of changes in sociology's perspectives and views. No different is this third edition as it examines the family through a feminist perspective; addresses diversity and multiculturalism; and reflects upon the globalization of sociology. D This updated edition analyzes the family life cycle from an historical and cross-cultural perspective. The issues of race, class, gender, and ethnicity are incorporated into the theoretical framework. Global examples are used to illustrate the diversity of American family dynamics. The book also explains how political and economic changes such as industrialization and urbanization affect the structure and dynamics of the family. From educators to parents, medical personnel to clergy, sociologists to psychologists and family therapists.

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0 of 0 people found the following review helpful.
Five Stars
By matt
It's a book

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• Sales Rank: #10084376 in Books
• Published on: 2015-02-17
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .19" w x 7.44" l, .40 pounds
• Binding: Paperback
• 94 pages

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